typed draft of poem with handwritten corrections
William Butler Yeats (1865–1939) “Coole Park and Ballylee, 1931” typescript draft 1932 Henry W. and Albert A. Berg Collection of English and American Literature

"Coole Park and Ballylee, 1931"

Transcript below

Hear curator Colm Tóibín read W.B. Yeats's poem "Coole Park and Ballylee, 1931"

Go to the exhibition label to learn more

Run time two and a half minutes

Under my window-ledge the waters race,

Otters below and moor-hens on the top,

Run for a mile undimmed in Heaven's face

Then darkening through 'dark' Raftery's 'cellar' drop,

Run underground, rise in a rocky place

In Coole demesne, and there to finish up

Spread to a lake and drop into a hole.

What's water but the generated soul?

 

Upon the border of that lake's a wood

Now all dry sticks under a wintry sun,

And in a copse of beeches there I stood,

For Nature's pulled her tragic buskin on

And all the rant's a mirror of my mood:

At sudden thunder of the mounting swan

I turned about and looked where branches break

The glittering reaches of the flooded lake.

 

Another emblem there! That stormy white

But seems a concentration of the sky;

And, like the soul, it sails into the sight

And in the morning's gone, no man knows why;

And is so lovely that it sets to right

What knowledge or its lack had set awry,

So arrogantly pure, a child might think

It can be murdered with a spot of ink.

 

Sound of a stick upon the floor, a sound

From somebody that toils from chair to chair;

Beloved books that famous hands have bound,

Old marble heads, old pictures everywhere;

Great rooms where traveled men and children found

Content or joy; a last inheritor

Where none has reigned that lacked a name and fame

Or out of folly into folly came.

 

A spot whereon the founders lived and died

Seemed once more dear than life; ancestral trees,

Or gardens rich in memory glorified

Marriages, alliances and families,

And every bride's ambition satisfied.

Where fashion or mere fantasy decrees

We shift about - all that great glory spent -

Like some poor Arab tribesman and his tent.

 

We were the last romantics - chose for theme

Traditional sanctity and loveliness;

Whatever's written in what poets name

The book of the people; whatever most can bless

The mind of man or elevate a rhyme;

But all is changed, that high horse riderless,

Though mounted in that saddle Homer rode

Where the swan drifts upon a darkening flood.

End of Transcript

Read by Colm Tóibín

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